Thursday, 29 September 2016

Study Task 1 | Making a Zine

Having been set the mini-brief of making a zine, I was quite looking forward to it! I've always wanted to make zines, and actually finish one. So this was a good excuse.

Besides the notes and ideas I had came up with for how I could approach this (see prev. post), I didn't do any planning. This is very rare for me, but I thought that it would be best just to go for it.

I wanted the tone to be messy, sporadic, if not a little chaotic. Over-planning could have made that difficult to achieve.




I went into self-imposed isolation in the other room, and listened to Burroughs' spoken word album to get immersed in the vibe. No pencil, no prep, I just churned out a stack of ink drawings based on motifs, and things I associate Burroughs' world with.

I then took bits and pieces to the copier, tinkered around with the contrast settings, and made multiples of the drawings as well as some paper textures.


Original collage pages (not in final order)

After sifting through all of the copied material, cutting it up and re-arranging, I started to set out the pages for my zine. Once I was happy with the layouts I pasted them down on to A4 sheets (which would contain 2x pages per side).

The only thing left to do was to photocopy the originals to make the pages appear flatter/more blended.



Copies of the finished zine

Pre-Zine Research - Articles, Etc..

Artists

- BRION GYSIN > Friend and infleunce

- KEITH HARING
- BASQUIAT
- ROBERT RAUSCHENBERG

Techniques

- Drawing on writing materials > Folders, paper scraps, grid, typed writing

- Using text within images
- Collage > Photos, newspaper, cut-up drawings
- Tape, string, DIY
- Textures

- CUT-UP WRITING TECHNIQUE > notes, typed, newspaper


Polaroid taken by Andy Warhol
Article

(http://www.dazeddigital.com/artsandculture/article/15208/1/william-s-burroughss-shot-gun-paintings)

'shamanistic and paranoid'

'sanctifying the outsider'

- Artists of the 40s/50s. Abstract expressionism, action painting.

- Relationship between word and image. Think in images, symbols

- GUSTAV METZGER

- Painting and writing, working through trauma


- Distanced himself from The Beats...
     > 'he wasn't a Buddhist, he wasn't Zen, he didn't like jazz, he wasn't cool...'


     >'...he deeply wanted to create tools that would allow the individual to think for themselves'

'Taking Shots: The Photography of William S. Burroughs'



I took this book out of the library and it was excellent. It was about Burroughs' own dabblings in photography, and how this hobby extended into his practice - both as a writer and later, a visual artist.


Some really great content and thoughts from various people, including Burroughs himself. For him, photography was a creative hobby, a means of research, observing, recording, documenting, and referencing - all in one. Here are some notes..


"Burroughs' photographs are striking for their self-containment and lack of reference to other practitioners or genres"

"While they can be gathered into categories of a kind - street scenes, still lifes, collage, radio towers, people - his works sit outside of any canonical structure"

"his images are both fleeting and deliberate...processed in high street chemists, cheaply and with little thought"


Scenes of a crowd gathering near a car accident, photographed by W.B.

Pg 12. "the Burroughs photographic oeuvre bears overt traces of a diasporic displacement that resembles the movement and exiles of his life, and of the passing of time"

Pg 43. "immediate contemporaries were artists, not art photographers"

"instead they used photography as a form of research and a part of their art workss"

"the 'photo-projects' of conceptual artists was an anti-expertise, anti-glamorous quality about the photographs"


Further reading referenced within the book:

'The Photo Collage' (1963) - An essay by Burroughs, pg 16-17

'The Third Mind' (1978) - Burroughs and Brion Gysin

Sunday, 11 September 2016

William Burroughs | 25

5 Quotes

"There is only one thing a writer can write about: what is in front of his senses at the moment of writing...I am a recording instrument...I do not presume to impose 'story' 'plot' 'continuity'...insofar as I succeed in direct recording of certain areas of psychic process I may have limited function...I am not an entertainer" - W. Burroughs in Naked Lunch (221)


5 Motifs

• Insects

• 
Junk/Drugs

• 
Viscera

• Bodily functions and fluids. Naked Lunch is full of descriptions and moments involving vomit, blood, excrement, semen, etc. They are all mentioned unapologetically. Also discusses
biological processes and terms - plasma, ectoplasm, ooze, protoplasm, innards, etc. Makes people and bodies seem disgusting.

5 Characters

• 
Mugwumps - Reptillian creatures that inhabit Interzone. Deviant and dangerous creatures. Their bodily fluids are sought after by addicts, a highly addictive substance likened to heroin.

• 
Dr. Benway - Corrupt, morally-bankrupt, sadistic doctor. Runs experiments on humans, including brain control. Not sure on the basis of this character, but a lot of the darkly humorous lines come from Benway.

• William Lee - Burroughs' alter-ego, an author-surrogate character. Shows how many chunks of the book are based on his own experiences.

• A whole host of 'supporting characters' - they all seem strangely real, like Burroughs may have observed or met them himself. Even those that are described in a few words and never mentioned again. ('Spectral janitors', 'The County Clerk', Policemen...)

Pg 24 'And always cops: smooth college-trained state cops, practised, apologetic patter, electronic eyes weigh your car and luggage, clothes and face; snarling big city dicks, soft-spoken country sheriffs with something black and menacing in old eyes color of a faded grey flannel shirt...'

5 Locations

• Tangier, Morocco

• 
Interzone - A fictional city that's like a combination of many different locations.

• 
America - In particular, descriptions of the South. Described as a rotten, evil place - both in its urban and rural locations...

Pg 24
'America is not a young land: it is old and dirty and evil before the settlers, before the Indians. The evil is there waiting.'

Pg 24 'Chicago: invisible hierarchy of decorticated wops, smell of atrophied gangsters, earthbound ghost hits you at North and Halstead, Cicero, Lincoln Park, panhandler of dreams, past invading the present, rancid magic of slot machines and roadhouses.

'Illinois and Missouri, miasma of mound-building peoples, groveling worship of the Food Source, cruel and ugly festivals, dead-end horror of the Centipede God reaches from Moundville to the lunar deserts of coastal Peru.'

'And the U.S. drag closes around us like no other drag in the world, worse than the Andes, high mountain towns, cold wind down from postcard mountains, thin air like death in the throat, river towns of Ecuador, malaria grey as junk under black Stetson, muzzle loading shotguns, vultures pecking through the mud streets...'

• Mexico

5 Pieces of Information About the Author

• Writing is heavily informed by personal experiences (encounters, friendships, drug use, travel)

• His book Naked Lunch was put on trial in Boston, 1962 due to obscenity. Four years later, the Massachusetts supreme court would overturn Boston's decision, saying it had atleast 'some' social value. The book was supported by authors Allen Ginsberg and Norman Mailer.

Norman Mailer
during the trial: "
There is a kind of speech that is referred to as gutter talk that often has a very fine, incisive, dramatic line to it; and Burroughs captures that speech like no American writer I know. He also . . . has an exquisite poetic sense. His poetic images are intense. They are often disgusting; but at the same time there is a sense of collision in them, of montage that is quite unusual."

• The Judicial Officer for the U.S. Postal Service referred to Naked Lunch as
"undisciplined prose, far more akin to the early work of experimental adolescents than to anything of literary merit."

Tuesday, 6 September 2016

William Burroughs | Dead City Radio

Last post of the night, but Bill released a spoken word album in 1990 called Dead City Radio. The album was dedicated to Keith Haring.

I'm going to try and put it on my iPod and listen to it, praying that no one will ask what I'm listening to.

It will probably be like a very weird audiobook read by someone's Granda from another dimension.


I found it here on YouTube.


William Burroughs and Carl Apfelschnitt | Mummies

 Mentioned previously, but this book is a collaboration between the two, where Burroughs' writing is accompanied by drawings and etchings made by Apfelschnitt.

There are under 100 copies in existence, and the more I look into this book the more I really want to see the cover and its contents!!!!

I found preview pages on a website where a copy was auctioned in 2007, but can't find any more for now. A sad day indeed.





Examples of some of the etchings by Carl

Very mysterious and strange! Imagine getting your hands on a copy. I also like the idea of images going side-by-side with text because one can enhance the other. Nice work, boys.

A copy may be on display or archived at the MFA (Museum of Fine Arts, Boston) and can be requested for study purposes but I am afraid.


For now, I'll just look at this picture of another book that Bill made. I love everything about this cover design. An excellent vibe.

William Burroughs | Artwork

Burroughs alongside some of his 'shotgun art'

Artwork

An online gallery of his art can be looked at here


I really like when people branch out into other creative fields, I think that more often than not, it's just an extension of what they did before, but in a different way or medium.

Burroughs' artwork combines his fascination with firearms and weaponry, and has the same character as his writing - confusing, chaotic, straight out of his own head. I find the similarity/consistency very interesting.

Wood Spirits (1987)

Untitled (1988)

A nice summary of his art from this website:

 "The same imagery that recurs in hallucinatory novels like JunkyNaked Lunch, andThe Western Lands appears in the writer’s artwork: “thus, as in his literature,” says Pieroni, “we find war, cocks, violence, dirt, parasites, guns—junk.” In Burroughs’ hands the detritus of American culture—the contents of advertisements, foreign policy briefs, and seedy motel rooms—takes on an ominous, mythic significance that shows us as much about ourselves as it does about the artist."

Burroughs even designed some of his own book covers..

William Burroughs | The Bunker


The Bunker

In the mid 70s Burroughs moved to New York, as his health became a concern for his friends. He found an apartment which was a partially converted YMCA locker room, which he called 'The Bunker'.

He became associated with many musicians, artists, and other creatives and cultural icons (Lou Reed, Andy Warhol, Patti Smith, many more...) and often hosted them at the Bunker.

Burroughs with Joe Strummer of The Clash, at the Bunker in 1980

Burroughs' bedroom at the Bunker

William infront of a Carl Apfelschnitt drawing
The Bunker, 1984


This photograph is part of a collection, shot by Kate Simon over 20 years. It seems like Burroughs was a fan of Apfelschnitt's art, and he may have been influenced by him when he pursued his own visual art later in life.

He collaborated with Carl on a book of etchings that were accompanied by Burrough's writings. The book was called 'Mummies' (1972) and only a limited number were published.

A painting of Carl's was used for the paperback edition of Burroughs' novel The Soft Machine. I can see why the work of these two is linked, as they are both quite visceral and introspective.

Burroughs' was associated with a number of gay artists, including Carl Apfelschnitt, Keith Haring, and Robert Mapplethorpe whose work all portrayed the subject of homosexuality rather openly.

These artists in particular died of AIDs during the 1980s-90s, this loss may have prompted Burroughs to begin creating his own art?

You can see more of Kate Simon's portraiture of William here, along with audio commentary from an interview with her.