Tuesday, 28 February 2017

As Long As We're Together - The Lemon Twigs

I wanted to try and do something different this time. I enjoy making these cover designs because they are quick to do, and give me an excuse to try different media and approaches.

When listening to the song, I thought it was energetic, poppy, and had psychedelic elements to it. So I took the song title but in a weird way.


I suppose it's a more literal interpretation of the song title. I wanted to make something a bit funny and weird, not really endearing or romantic like the song suggests.

I got some play-doh and tried scanning it into the computer for something more 3D/tactile which is something I've never considered before. I decided to scan it because if I made a 3D model I would have to get a photo that did it justice. It was quite late in the studio so the lighting wasn't good.


I really enjoy the garish colours and the way they all meld together. I think it's a good mix of 3D and digital processes.

Friday, 24 February 2017

Colours May Vary

This morning we went over to Colours May Vary to have a talk delivered by the owners. I've only been a couple of times previously so it was interesting to have more of an insight into what they do.

• The shop has only been around for 5 years. They were keen to create a space which didn't exist in Leeds. Commented that back then, Leeds had a pretty 'homogenised high street'. They provided something they wanted to see in the city for themselves.

• Their individual areas of interests involve product design (homewares, jewellery, ceramics, stationery) and printed matter (books, magazines, prints)

• Not only are they a shop for this kind of thing, but they also provide an events space to exhibit work from creatives. They made it clear that they wanted to engage with different audiences, not just have the same stuff all the time.


"If it doesn't give us a buzz, we won't stock it"

• This was nice to hear, because I had previously just assumed they were only concerned with trends, and what was deemed as fashionable. Obviously this will factor in as they are a business and want to make sales, but it was interesting that their passion for design was also part of it.

• The process in which something is made doesn't dictate it's success. E.g. screenprinting doesn't automatically make something good, as the design could still not work.

• Is the process of something appropriate to the design? Does the process enhance what you are trying to say or do?

Pricing

• You can price things systematically e.g. cost of materials, time, labour...
• What processes are used?
• Consider how people buy things (for themselves, gifts, etc...)
• Economic climate
• Locally sources? Imported goods? Factoring in the exchange rate

How do you choose what to stock?

• Developed over time. Looking for new and unique things.
• Considering trends in visual culture. What sells successfully and why?
• People even leave items along with their contact details to get feedback. Gives them time to look at and absorb a piece of work.


My thoughts

• I was really pleased to hear that what they do at CMV has derived from a personal interest in visual culture, whether it's lovely product design or interesting printed matter.

• They have not only created a space in which creative work and craft can be appreciated, but where a piece of that can be purchased and become part of someone's daily life, in their homes, their offices, etc.

• They also create opportunities to showcase the work of other creatives, as well as celebrating local practitioners.

• However, I do think specialist shops can sometimes have a tendency to be quite exclusivist, available only to those who can afford what they offer, or too trend-focused. But then again, I suppose they are a business and generating an income is important as well as supporting the makers of the items they stock.

Thursday, 23 February 2017

Collaboration: Sketching and Ideas

Our collab group met again today to discuss our sketches and ideas. We had to provide a number of drawings as well as facts about the creatures we chose to draw.


Here are some of mine. I think they are a good starting point for any later designs/visuals, and the accompanying factual text will make up part of the cards too.

We talked about what kind of look we wanted to go for, and after looking at some examples previously (e.g. Anorak) we decided on...

- Flat lines
- Scanned textures
- Playful
- Bold
- Contemporary
- Colourful


As we want to create a poster as an added extra for the children, we plan on designing that first and then cropping areas of the design to create 'snapshots' which will become the front of our 3 proposed card designs.

We also want the card placement to be integrated into the poster, so that they would either complete the missing gaps in the poster design, or overlap/match existing parts:

cards incorporated into poster design

For next week:

We have decided that for next week, we would each draw the 15 creatures/objects from a list we agreed on. That way, we can then begin to draft the layout of the poster using a combination of all of our designs.

We must also consider - type (handmade?), card layouts, potential for the theme of our yoyo cards to be shown on the outer packaging of the BEAR snacks.

Tuesday, 21 February 2017

Study Task 2 | Inspiring Illustrators



i-juicy magazine cover | NY Times 'A Wordonado of Words in 2013'|
NY Times 'It's Complicated' by Dana Boyd

1. Henning Wagenbreth

I like the work of this practitioner because of the sheer breadth of projects and formats it has taken over the years. However the examples I have chosen focus on editorial. His work often deals with quite heavy subjects however seems to remain objective, sophisticated, whilst maintaining the strange aesthetic and bold colours.


'#BorraelSida' PlayGround Magazine | Voltio magazine cover |
Kibling Magazine cover

2. Cristina Daura
The use of unusual layouts and visual symbols/pictograms is what appeals to me here. A very graphic style that lends well to magazine covers and features. The mystery of the small images-within-images and the symbols makes me want to find out what the illustration is all about, and I suppose this is part of what makes a successful editorial illustration - something that entices someone to read the article/context/etc.


NY Times 'Australian Detention Centers' | Nautilus Magazine medical feature |
Plansponsor Magazine cover

3. JooHee Yoon
Not only do I like her work, but her exciting illustrations have been featured in reputable magazines and newspapers, including NY Times and the New Yorker. She illustrates subject matters that could otherwise be very dull without the bold visuals she provides. The aesthetic of her work is distinguishable but not too repetitive, approaching work digitally, through print techniques, drawing, and more.


misc
4. Matthew Houston
Although this person is not strictly an editorial illustrator, I really enjoy the small, peculiar worlds that he creates. Whether or not they are based on written material or not, the scenes and arrangements of things and people and places is really interesting and when I see his work, I read the images for any clues. Also, a reminder that (editorial) illustration doesn't have to be realistic/representational, or extremely slick and graphic. It doesn't have to be a straightforward visual interpretation of an article, which I think can be boring.




5. Josh Cochran
I find that a lot of editorial illustration is very flat and shape-based so I really like the textural, hand-drawn elements that are part of Josh Cochran's illustrations. They have a handmade feel but still look quite put together, which may be because of the combination of drawing and digital processes. His work also involves object and environment, embellishing items as well as spaces with his drawings.

--

Most if not all of the above practitioners do lots of different types of illustration, not just editorial which is something I like to see with other illustrators/creatives. Editorial is just another extension of their work, responding to real life content. I suppose I have also chosen these practitioners because of their varied approaches to image-making, but at the foundation of all of their work is drawing (even if the finished piece is digital).

SB1 | Project Proposal

Information sources below...

Software Induction | Packaging

Using illustrator. Creating stands, containers, boxes that could potentially house your artwork. Packaging for prints, other objects.


Monday, 20 February 2017

Article Notes II


Article Notes I


NY Times: The Paper Chase - Franz Lidz

"the Collyer Brothers, the hermit hoarders of Harlem"

"barricaded in a sanctuary of junk"

"the blind and bedridden Homer Collyer lived with his devoted younger brother, Langley, the elderly scions of an upper-class Manhattan family"

"one of the world's legendary collections of urban junk...their collection came to represent the ultimate New York cautionary tale"

"a New Yorker's worst nightmare: crumpled people living in crumpled rooms with their crumpled possessions"

"the crowded chaos of the city refracted in their homes"

"New York City firefighters refer to an emergency call to a junk-jammed apartment as a 'Collyer' "

---

"Homer had been Phi Beta Kappa at Columbia, where he had earned his degree in admiralty law. Langley was a pianist who had performed at Carnegie Hall"

"They became more and more reclusive as the neighbourhood went shabby on them, booby-trapping their home with midnight street pickings turning it into a sealed fortress of ephemera"

"Children chucked rocks at their windows and called them 'ghosty men'"

--

"The Collyers had carved a network out of the neck-deep rubble. Within the winding warrens were tattered toys and chipped chandeliers, broken baby carriages and smashed baby grands, crushed violins and cracked mantel clocks, moldering hope chests crammed with monogrammed linen"

"Homer went blind in the mid-30's and was crippled by rheumatism in 1940. His brother nursed him, washed him, fed him a hundred oranges a week in a bizarre attempt to cure his blindness and saved newspapers for him to read when he regained his sight. Hundreds of thousands of newspapers"

--

"Langley was buried in an avalanche of rubbish in 1947 when he tripped one of his elaborate booby traps while bringing Homer dinner"

"Thanks to my father, I knew all the particulars: how Homer had starved to death, how Langley's body had been gnawed by rats, how the police had searched the city for Langley for nearly 3 weeks while he lay entombed in the debris of his own house"

--

"New York has long teemed with pack rats who can't pass a garbage bin without lifting the lid"

- Theresa Fox, 1940s
- Charles Huffman, 1950s
- George Aichele, 1960s

--

Uncle Arthur, 88. "so habitual a hoarder that my mother used to call him the lost Collyer brother"

"Small, bent and eternally boyish, Uncle Arthur dresses in layers of Salvation Army overcoats kept closed with rusty safety pins. Like a Beckett tramp, he holds his pants up with bits of rope"

"he has turned squalor into an art form"

"Tangled mounds of twine and electrical cord climbed up gentle rolling hills of newspapers still in their plastic sleeves. A riot of shirts and jackets slopped out of stained grocery bags and onto the grubby carpet. The stove and the kitchen counters disappeared from view, lost under a couple of feet of cans, bottles and Calder-like mobiles that Uncle Arthur had fashioned out of clothespins and coat hangers. The bedroom closet was packed with newspapers from the Carter administration; the refrigerator, with English muffins from the end of the Reformation"

"He shares his apartment with Wagging II, his cat. 'Collecting junk is my hobby'....'My junk is like a friend, another person, another cat'

"An urban prospector, Uncle Arthur trails through the streets of Brooklyn, collecting the detritus of the New York night"

"You'd be surprised what you find once you look. Pennies, nickels, dimes, safety pins, jacks, dice, mirrors, small bottles, dresser handles, screws, wire, cord, moth balls, cigarette packs, pens that say different things on them, bullets"

"He particularly prizes first-edition magazines, bus transfers and parking tickets plucked from windshields"

"Like Langley Collyer, he builds barricades, and sets booby traps and nests inside his walls of junk"

Thursday, 16 February 2017

Collaboration: Discussing Ideas

We met to discuss our initial research and ideas we had up to now for the BEAR brief. I had put together some slides that looked at the BEAR packaging, as well as previous designs for yoyo cards.


Also, mentioning past themes as well as listing new ones that we could look into.
I decided to make references to some illustrators who I thought were appropriate for this brief such as Rob Hodgson, Jack Teagle, JooHee Yoon and Anorak Magazine.

What I think each of these examples have is that they are appropriate for children, but are also very put together and well-designed. Despite the younger audience, there have been considerations about the overall aesthetic and design of the images so maybe even adults/parents would appreciate them too.

We also mentioned children's tv shows that have really nice visuals that are very illustrative and up to date.
like Mouk and Hey Duggee...

In terms of our theme, we all liked the idea of exploring  Deep Sea Diving. This would give a lot of potential for vibrant and exciting images, as well as interesting facts to tie in with the educational part of the yoyo cards.


We made a mind map of everything we could think of relating to this theme, and agreed that next week when we met, we would bring...
- Roughs, sketches, and drawings
- Facts and research
- Beginnings of a mood board (colour palette, textures, general aesthetic ideas)

This way, we can compile what each of us have and see what works best before we move on to developing the designs.

One idea we had was for our 3 yoyo card designs to fill in the blank spaces of a poster we will design. This would be a unique way of showcasing our illustrations and designs, as well as introducing a 'collect them all' kind of incentive to the cards.

The poster could be a piece of art in its own right, with the front of the cards completing missing parts of the picture, and with the facts on the reverse of the cards.

Wednesday, 15 February 2017

Developing Research

After thinking for ages on what I could research, a couple of things have gradually came together to form some sort of 'theme'.


Grey Gardens (1975) / Guardian article [link]
A documentary film I had been meaning to watch for a while now, about the lives of Big Edie and Little Edie who were the aunt and first cousin of Jackie Kennedy. They lived together on the once beautiful Grey Gardens estate, now surrounded by rubbish and their belongings, the house infested with fleas, cats, and raccoons.

What interested me was their eccentric characters, their openness to the film crew, and their 'fall from grace' - it was implied they were scorned by the village of East Hampton, and how they were now living reclusive lives in squalor.

Hotshoe Magazine
I picked up a copy in the library, which had an interview with photographer Roger Ballen. I had seen parts of his work before, but I was interested in the dilapidated and derelict aesthetic of his photographs. It was an interesting interview, and made me think about the role of taking photos.

Key words from the article: figment, relic, enigmatic, isolated, eccentrics,
Leading me on to...

Photographs
Why do we take photographs? Memories, remembering, memento, souvenirs, objects, possessions, hoarding, why do we keep things?

Possessions & Hoarding
Relates back to Grey Gardens, as well as the case of the Collyer Brothers I remember reading a while ago.


https://www.nytimes.com/2016/03/11/opinion/the-map-of-my-life.html?rref=collection%2Ftimestopic%2FMemory

https://en.wikipedia.org/wiki/Collyer_brothers

Collyer brothers photo gallery:
http://www.nydailynews.com/new-york/collyer-brothers-brownstone-gallery-1.1187698?pmSlide=1.1187695

Love and Squalor On 128th Street
http://www.newyorker.com/magazine/2009/09/07/love-and-squalor

http://www.nytimes.com/2003/10/26/nyregion/the-paper-chase.html

1940s - Theresa Fox
1950s - Charles Huffman
1960s - George Aichele

the writer's Uncle Arthur: ''Believe it or not, I've never bought a single piece of junk,'' Uncle Arthur said. ''I found it all on the street. You'd be surprised what you find once you look. Pennies, nickels, dimes, safety pins, jacks, dice, mirrors, small bottles, dresser handles, screws, wire, cord, moth balls, cigarette packs, pens that say different things on them, bullets.''
He particularly prizes first-edition magazines, bus transfers and parking tickets plucked from windshields. ''People just leave parking tickets on their cars,'' he said wonderingly. ''I must have found thousands of dollars' worth. Every day I could pick one up.''
NY Times "What You Collect: The Ordinary and the Odd"
https://www.nytimes.com/interactive/2016/07/24/arts/design/the-keeper-collectors-reader-submissions.html?rref=collection%2Ftimestopic%2FHoarding

- The Keeper - exhibition at The New Museum
http://www.newmuseum.org/exhibitions/view/the-keeper

From the audio tour introduction: 'The keeper is an exhibition about collecting, saving, and preserving artworks, artifacts, objects and images. In other words it is an exhibition about individuals who have carried out unreasonable (?) acts of iconophilia or love of images. Through a series of portraits and case studies this spanned the 20th century and the beginning of the 21st century.
The exhibition raises questions about notions of value, and ownership. We ask what it means to hold on to something and what does it mean to lose it. We ask what it means to care for an artwork or for an object and we ask how and why we project feelings and emotions on certain objects of affection. As we are witnessing a resurgence of iconoclasm through the destruction of monuments and artworks in various parts of the world, the live projects brought together in this exhibition testify to a great faith in the power of images to comfort, heal, and bear witness to the traumas of history.

Walter Benjamin famously wrote that 'every passion borders the chaotic, but that of the collector borders on the chaos of memories' and the Keeper is an exhibiton about remembering and preserving memories through images....'

- Why Do We Collect Things? - Guardian article
https://www.theguardian.com/lifeandstyle/2014/nov/09/why-do-we-collect-things-love-anxiety-or-desire

- The Psychology of Collecting - The National Psychologist
http://nationalpsychologist.com/2007/01/the-psychology-of-collecting/10904.html

505 | Themes and Ideas

Thinking about potential subjects to research that will inform my editorial illustrations as well as their later applications. There is so much material out there, which is why this has been a really tough decision for me!!

Ideas I have so far are quite muddled and disconnected, but I've just been sifting through articles, magazines at the library, and watching films, making a note of anything that interests me hoping that it will lead on to something else.

> INTERESTING PEOPLE

> PLACES AND EVENTS


> DOCUMENTARIES

• American Movie - Chris Smith
• Resurrect Dead: The Mystery of the Toynbee Tiles
• Cave of Forgotten Dreams - Werner Herzog
• Grey Gardens

> DIRECTORS? WRITERS? POETS? VISIONARIES?


> ECCENTRICS


> MYSTERIES

• Toynbee Tiles
• Taman Shud Case

> MIND CONTROL/BRAINWASHING

• This American Life 579: My Damn Mind
• Cults
• Scientific theory

> MESSAGES

• Toynbee Tiles - Culture Jamming - Radio Jamming - fake transmissions?
• Situationist International - Guy Debord - The Society of the Spectacle (1967) - Lettrism - Lettrist International - Dada, Cubist, Futurist, typographical - Hypergraphy, metagraphics - May 1968 in Paris

Tuesday, 14 February 2017

Batsford Prize | Final Outcome

Today I printed my final design for the Batsford prize. I wanted to create a pamphlet that folded out into a poster/print.

I had originally intended to create a double-sided screenprint a while ago, but after a terrible day in the print room I decided to just go with digital print. I'm not sure what happened, but I ended up with a lot of shoddy screenprints - the colour wasn't distributed evenly, some of the areas were too blotchy and full of printing ink. It really didn't go too well.


Although the two sides of this design could have just been made into two stand-alone prints, I think the fold-out idea unites the two more, and makes the link between them more apparent. The pamphlet/booklet format works well as it makes the reader engage with the sequential narrative.

The idea I had in mind for this was related to learning through nature, as well as the many processes that occur in nature. A very simple example, a caterpillar making a chrysalis before becoming a butterfly. But I suppose I wanted to highlight how interesting and cool the small things can be. I think the tone is (hopefully) sweet and endearing, if not a bit wonky and funny.